Saw a brief write up for this while on the train back from Art Brut the other week, a black comedy about a nasty A&R man at the tail end of the Britpop years. What’s not to like about that?
Some routine library enquiries revealed that they didn’t have it so I strolled into Leamington Waterstones the other Friday to make the triumvirate of ladies behind the counter very happy by asking if they had a copy. “It’s got a rude word on the cover”, one giggled. “Is it ‘motherfucker?’” I whispered, they all giggled. The conversation continued, James shook his head in the background and muttered something about the effect that counters seem to have on me.
After such a good start it is disappointing to report that Kill Your Friends is a bit of a let down. There are some good jokes at the expense of various no-mark indie bands (quite a few of which I actually liked) and the absolute disgust that the author holds the music industry in comes through very clearly.
Thing is, it seems like a low-calorie version of Brett Easton Ellis, there is a hateful central anti hero who is out for himself to such an extent that a spot of murder fits in nicely with his career path, everyone is snorting coke all the time, all his co-workers are hateful yuppies and every woman is described as some kind of spunk-gargling street walker. Every chapter starts with a wry state of the industry summary usually involving Ultrasound or Gene.
So effectively American Psycho crossed with the NME. It certainly isn’t terrible and I reckon it would have made a cracking short story, but at over 300 pages it does drag on a bit too long.
One interesting point is the opening quote from the late, great Hunter S Thompson, who in just 32 words efficiently sums up the entire novel that follows and makes you laugh out loud:
"The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free and good men die like dogs. There is also a negative side."